How to make a song intro: decide its job (set the mood, tease the hook or build energy), keep it short, 4 or 8 bars for most songs, use material from the song itself, and end it with a clear handoff into the verse. In Veena, CoProducer, your personal music producer, builds the intro with you on real tracks, free in your browser.
Plenty of producers write the intro last, once there's a chorus to tease. That order is quick in Veena: among Veena's new users whose first request asks for a new song, 3 in 4 get a finished first result on day one.
One bar of 4/4 lasts 240 divided by the BPM, in seconds. Use it to size the intro to the genre:
| Genre | Typical intro | At | Length |
|---|
| Pop | 4 bars | 100 BPM | 9.6 s |
| Hip hop | 4–8 bars | 90 BPM | 10.7–21.3 s |
| Ballad | 2–4 bars | 70 BPM | 6.9–13.7 s |
| House, for DJs | 16–32 bars | 124 BPM | 31–62 s |
| Drum and bass, for DJs | 16–32 bars | 174 BPM | 22–44 s |
For everything that comes after the intro, see song structure explained.
Each one below has the move by hand and the sentence that gets it from CoProducer.
Play the chorus chords or riff on one instrument, maybe with the melody hinted on top, so the chorus pays it off later. It's the most reliable intro in pop.
In Veena, copy the chorus chord clip to bars 1 to 4 with Ctrl+C and Ctrl+V (Cmd on a Mac), or right-click it and choose Duplicate Selected Clip, and leave the drums out.
Ask CoProducer: "Make a 4-bar intro from the chorus: just the chords and a hint of the melody."
Start with one element and add one every two or four bars: pad, then hats, then kick, and hold the bass back for the verse. The verse lands harder because the listener has been waiting for the low end.
Ask CoProducer: "Stagger the intro: pads first, hats at bar 3, kick at bar 5, bass from the verse."
CoProducer staggers entries, adds dropouts and moves bar ranges on the parts already in your song, so the parts you like stay exactly as they are.
The full groove, but dark and distant, as if it's playing in the next room, then bright when the verse hits. By hand, that's a low-pass filter opening over the intro.
In Veena, add the 8-Band EQ to each intro clip, pull Band 8, the High Shelf, down 18 dB and cut Band 7 around 4 kHz. The verse clips stay untouched, so the song opens up on bar 1 of the verse.
Ask CoProducer: "Make the first 4 bars sound muffled, like it's in the next room, then open up at the verse."
What good sounds like: the moment the verse starts feels like a door opening.
One instrument or one voice, alone: a guitar figure, a piano, the first vocal line. Then the band arrives. Or skip the intro and start on the hook.
In Veena, record your part from the microphone (count-in off, 1 or 2 bars) and build the band around it. CoProducer measures your take's tempo and phrasing first, and keeps your recording in the song while it arranges.
Ask CoProducer: "Start the song with just my guitar recording for 4 bars, then bring the band in."
A texture, a drone or a reversed sound that sets the mood before the beat. Your own voice works surprisingly well: hum a line into a voice memo and turn it into a pad.

Ask CoProducer: "Turn my voice memo into a synth pad for the intro." Or ask for "a dark ambient texture in A minor" and pick from 10 preview cards.
An intro is only as good as its exit. Two moves do most of the work: take something away just before the verse, and mark beat 1 of the verse clearly.
- A one-beat dropout. Everything stops on the last beat of the intro, then the verse lands.
- A fill. One bar of drums leading into the downbeat.
- A reverse swell. Pull a crash from the sample search, right-click it and choose Reverse Audio, and end it exactly on beat 1 of the verse.
Ask CoProducer: "Drop everything out on the last beat of the intro and put a crash on the first beat of the verse."
More moves are in transitions and fills.
- Mark it. Hover the ruler, click + Section and name it Intro, or right-click the ruler and choose New section here.
- Size it. Pick the bar count from the table above.
- Choose the type and build it by hand, or ask CoProducer. Each new part comes with 3 options; hover to hear them.
- Loop the handoff. Drag across the ruler over the intro's last 2 bars and the verse's first 2, and play it ten times.
- Listen cold. Start playback from bar 1 after a break. Within a few seconds you should know the mood and the genre.
- Undo freely. One Ctrl+Z reverses any CoProducer change, so try the bold version first.
A finished intro sounds like the same song as the chorus, the same key and the same sounds, and never outstays its welcome. The verse arrives as a lift, not a restart.
For the rest of the arrangement, see arranging a song in Veena and the AI arrangement assistant. More guides like this one live in learn music production with AI, and when the intro teases the hook, how to write a hook makes sure the hook is worth it.
Related reading: song structure explained · transitions and fills · how to arrange a song
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